Scene of War
by
PETER CASIER
June 1999
Richard, Alf and I are standing on a mountain pass, at the
border crossing between Albania and Kosovo. The view is
breathtaking. It is part of a movie, projected in 360 degrees
around us. Better than a movie.
A long, slow-moving stream starts from far behind us. We can
hear it: the random noise. It passes right next to where we
stand and follows bends and curves for as far as we can see. A
stream, a steady flow, not of water, but of people: tens of
thousands of refugees returning home. Whole families on tractors
and donkey-pulled carts, with all their belongings stacked as
high as they can. Mattresses, cupboards, tables, chairs,
cardboard boxes. Mothers hold on to babies; brothers and sisters
walk hand in hand. Elderly men with deep grooves in their faces
walk with sticks in their hands or push wheel-barrels. A massive
flow of people, each with their own horror story to tell, moves
steadily back to their homes. Homes they fled a couple of months
ago after Serb militia and special forces wrecked their lives,
burnt their crops, raped their mothers and daughters, killed
their brothers, sons and fathers. As the stream of people comes
to the mountain pass, they see the same scenery as I do. I
wonder what goes on inside them.
In between the mountains tops, capped by tree forests and
scarred by cluster bombs which NATO blanketed over them, lay the
valleys. Valleys with a fresh, green colour of spring grass and
young leaves on the trees. For as far as we can see, we watch
plumes of smoke coming from the valleys like birthday candles
that have just been blown out. Plumes of smoke, going up in the
air and dissolving into the clear blue spring sky. It’s the
smoke of houses, cars and farm sheds burning, for as far as we
can see, dotted over the valleys. The militia and break-away
paramilitary forces looted and burned everything as they
retreated. It looks like the whole country is still burning.
People’s lives are burning. And yet the expression on the faces
from all who pass us is not one of desperation, but one of hope.
They all smile. They look at the same scenery I do, but they
think of hope. Hope of starting afresh. They wave at us. They
wave at the NATO military trucks and tanks maneuvering in
between the stream. The liberators and the liberated.
It is yet another scene of war, another scene of misery and
hope, another scene of destruction mixed with hope, of a past
and a present. Will it ever end? Will we ever learn from our
mistakes?
Two F16 fighter jets blast low over our heads. Instinctively,
everyone pulls their heads down. The fighting is not over yet.
We hear the remote muffled thunder of a bombing raid, very far
away. The misery is not over yet. As I get into the car, my eyes
meet those of a young girl sitting on her mum’s lap on the back
of a tractor. She looks at me, and I look at her. I smile, and
she smiles back, hesitantly raising her arm to wave to me. Her
mum follows her daughters gaze. She finds me. She whispers
something in the girl’s ears. The girl looks up, kisses her mum
on the cheek, and looks back at me. She throws a kiss at me. I
throw one back and wave. She laughs. Her dad, driving the
tractor, looks back and waves at me too. Do they know I am
thinking of my daughter? Do they know she has the same eyes, the
same hair? Do they know this is why I do this work? Because she
could have been my daughter, sitting on my wife’s lap. This
could have been my family, my life. But destiny has put them
there and me here. Sheer luck determined those who suffer and
those who never realize how lucky they are.
‘Let’s go’, I smile at our driver. ‘Let’s go. Work to be done’.
I can see in his eyes he is thinking the same as me. We all do.
© Peter Casier, 2007
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